Many fans have dissed his recent efforts claiming that Adam Young has gone all-out mainstreamed by using generic, unoriginal lyrics and completely changing in order to sell well. Only one thing is true in that statement, Adam HAS changed, but he isn't selling out (at least not yet). There are a few known reasons why his music seems so different to everyone.
Adam Young has come out of his caged-up-in-the-basement-alone stage in life and is more involved with his fans, friends, and family, all while getting some well-needed fresh air. Angry fans should at least be proud that he is indeed much healthier than before.
Another factor is that he doesn't just have his basement and his keyboards and computer anymore, he's got a studio with higher quality equipment and the musical experts helping him out with everything. As a bonus, Matt Theissen was very involved with creating of The Midsummer Station, so die-hard Relient K fans should get some kicks from this album.
Now I could be wrong, but judging by Adam's blog posts and recent interviews (and listening to the CD myself) he seems to be far more focused on the musical part of his songs rather than the lyrical. The results were stunningly constructed instrumentation. What Midsummer Station has done to surpass Ocean Eyes, for example, is intensify the depths of sound and rhythm, putting emotions into the beats, and exploring corners of the world of music he's never been before. Through this he has brilliantly tied together his art with what's popular now.
This is not to say that the creativity has been completely drained from the lyrics either. Traces of his old writing style are subtly laced throughout, namely in Dreams and Disasters, Embers, Silhouette, and Metropolis. The new writing style is more simplified, emotional, and repetitive, but it is more relatable and easy to understand. Each song is written from different events that took place in his life, things that he took to heart, so lyrically there's just as much depth and perspective than any of his old stuff, it's just done in a different style. The Midsummer Station is meant to be enjoyed by a broader audience, and is definitely more fun.
No matter how depressing the subject, Young always seems to provide shades of light and a positive outlook in both his music and life experiences. And that is just what most critics hate about Owl City. They can't stand the fact that he won't express a strand of negativity or any form of edginess in his songs. But isn't that what critics should be acclaiming; something that is different? Haven't there been enough language-laden pop songs about sex, temporary relationships and partying? As someone who appreciates the generic along with the unique and the obscure, I found The Midsummer Station to be quite refreshing.
Change can be difficult, but to an artist it's usually very good. The last thing any musician wants to do is have all their songs sound the same or be caught in a musical rut. Experimentation prevents one from getting bored or doing what's already done. As Adam Young himself puts it, he is "merely different colors and different brushstrokes over the same canvas". To my relief he's the same ol' Adam with his same love for musical art. He's simply coming at it with a different medium. With the whole "which Owl City do you like better" I'm like,
Yes, indeed |
Are these works not both considered art? They are allowed to be admired equally.
Mm YEAH!!! |
While the haters mope around I'm going to indulge in the melodious beauty of my personal favorite tracks, Metropolis and Bombshell Bomb.
Peace out, because I know you're gold! You are treasured!